The artistic documentation of the laboratory formats of the CRC plays a major role in the exchange between humanities and arts. It supports the reflection of the contributors and transports the collective content to a public, that was not personally present at the event. In this way, it maps practices, methods, work processes, and results and makes them available in a sustainable manner. At the same time, due to its artistic character, the documentation takes part as an independent communicator in the exchange between humanities, arts and the public spheres and continues the laboratory format.